RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
Latest editorial
Hassall, Lautrec and the true roots of toons
Star cartoonist MALC McGOOKIN introduces two commercial artists beloved by cartoonists and comic artists the world over
(L to R) Utagawa Kunisada, The Female Bandit Kijin no Omatsu, 1851; John Hassall, Skegness is So Bracing poster for GNR (Great Northern Railway), 1908; Henri Toulouse-Lautrec, Jane Avril, 1893
[piccredit: (L to R) National Diet Library/Public domain - Science Museum Group Collection/Public domain - Public domain]
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
TONY BURKE speaks to Gambian kora player SUNTOU SUSSO
MARIA DUARTE recommends a British boxing biopic about the stormy relationship between Nazeem Hamed and his trainer Brendan Ingle
ANDY HEDGECOCK and MARIA DUARTE review Good Night, and Good Luck: Live from Broadway, Becoming Victoria Wood, Hamnet, and Song Sung Blue
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
I WAS prompted to write this article after I’d offered up a cartoon satirizing both Nigel Farage and Clacton, a seaside town which has offered welcoming berths for Tories, knights and baronet MPs since 1604, including the wonderfully named Sir Nathaniel Rich and Sir Harbottle Grimston.
Farage is merely the latest carpetbagging Europhobe to shoehorn himself into the seat, although there was, admittedly, a WTF moment in 1997 when Labour’s Ivan Henderson got over the line.
The cartoon in question satirised the great John Hassall’s famous “Skegness Is SO Bracing” poster.
Similar stories
Star cartoonist MALC MCGOOKIN finds lessons for today in the punch, and the economy of line, of an extraordinary generation of illustrators
WILL STONE foresees the refashioning of Beckett’s study of bitter nostalgia given the plethora of self-recording we make in the digital age
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
PETER LAZENBY is fascinated by a book of cartoons that shows how newspaper cartoonists were employed to, on the one hand, denigrade and, on the other, to defend the miners’ strike of 1984-85