Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
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Yes, we like it
GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight
AS YOU JAM IT: the cast of As You Like It
[Marc Brenner]
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
As You Like It
The Holloway Garden Theatre, Stratford-upon-Avon
SHAKESPEARE’s reference in Romeo and Juliet to “the two-hour traffic of our stage,” when modern productions of the Bard’s works normally extend to nearer three, has left theatre historians some evidence of how contemporary productions of his plays may have been handled at his bankside Globe theatre.
Perhaps a visit to the RSC’s temporary Avon-side summer theatre with Brendan O’Shea’s 80-minute As You Like It may provide something more of a practical demonstration.
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GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity