MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
Ready
Dancebase, Edinburgh
MATTHEW HAWKINS’ Ready is an intense, hour-long masterpiece of control and deep focus, with moments reminiscent of the “interrupted” world of Samuel Beckett. A solo performance, we witness Hawkins’ flowing movement, seemingly freeform but composed of a subtly repetitive patterns and gestures.
The journey begins and ends in the vague space of the theatre room, and in between takes us out into the more epic environment of wind-blown trees and the lowering presence of Edinburgh Castle.
TOM STONE sings the praises of one of the oldest open-air festivals in Britain
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
ANN HENDERSON on the exciting programme planned for this summer’s festival in the Scottish capital
PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco



