CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
Cross-dressing novelist
GORDON PARSONS welcomes a graphic biography of George Sand, the most popular French novelist in 19th-century Britain
[Kim Consigny] 
DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
MICHAEL STEWART applauds a fun send-up of the substandard Agatha Christie whodunnit
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
BRENT CUTLER unpicks the cryptic clues of a book within a book within a murder mystery
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
George Sand: True Genius, True Woman
Severine Vidal & Kim Consigny, SelfMadeHero, £18.99
OURS is essentially a visual age, a fact which must explain why graphic novels have exploded in popularity in recent years, with one American market research company recording over 16 million copies sold last year, and Penguin Random House aiming to see “a graphic novel on every bookshelf.”
What might more accurately be called a graphic biography, this life of George Sand portrays an author generally better known, if at all today, for her relationship to Chopin. She was in fact by far the most popular French novelist in 19th-century Britain.
More from this author
GORDON PARSONS is enthralled by an erudite and entertaining account of where the language we speak came from
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
