The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Class discrimination and the arts
VANESSA CORBY asks what will the arts do for everyday working people?
arts discrimination
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
ON the morning of July 5, Keir Starmer and his supporters celebrated Labour’s election victory in the Turbine Hall of London’s Tate Modern, bathed in the glow of a huge red wall behind.
Hard on the heels of the culture wars of the Conservative election campaign and its “rip-off degrees” rhetoric, this iconic start felt like stepping into a parallel universe.
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