GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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One Caribbean!
CHRIS SEARLE is transported by a superfine tribute to James Baldwin
Neil Charles
[Pete Woodman]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Neil Charles Dark Days Quartet
Tribute to James Baldwin
Cafe Oto, Dalston London
I REMEMBER being immersed in reading the first explosive 100 pages of James Baldwin’s epochal novel, Another Country, as I rode on a Greyhound bus to take part in the massive Poor People’s Campaign demonstration in Washington DC in July 1968, shortly after the assassination of Martin Luther King.
Baldwin’s words about racist oppression and the life and suicide of the jazz drummer, Rufus Scott, were a profound message of their times. So I was determined, now in 2024, to hear Neil Charles’s Dark Days Quartet in Dalston’s Cafe Oto, celebrating Baldwin’s centenary.
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