The bard pays homage to his two muses: his wife and his football club
The struggle made sonic
CHRIS SEARLE translates the fusion of four jazz maestros into a mental image of Hackney Carnival
Pat Thomas, Steve Noble and Seymour Wright play Cafe Ito
[Courtesy of Pete Woodman]
MARY CONWAY is disappointed by an incoherent show that fails to question stereotypical assumptions about the Soviet Union
JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
WILL STONE, JAMES WALSH and MARIA DUARTE review Souleymane’s Story, Sunlight, Good Fortune, and After The Hunt
ALEX HALL recommends an exhaustive investigation of the means by which the Starmer faction assassinated the left
DAVID MORGAN recommends a refreshingly inspiring novel that features encounters with some tremendous women
Seymour Wright, Steve Noble, Pat Thomas and John Edwards
Cafe Oto, Hackney, London
JUST outside Cafe Oto, along Dalston Lane, is the huge and marvellous mural of a Hackney Carnival; all musicians soaring, all people dancing, all colours coalescing.
So I was hearing music in my head as I passed the momentous image, preparing me for the sounds I was to hear inside the Cafe Oto’s old industrial walls.
It was Derby alto saxophonist Seymour Wright, Hounslow-born bassist John Edwards and drummer and pianist from the Thames Valley, Steve Noble and Pat Thomas; all in powerful creative fettle.
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