RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
Latest editorial
The struggle made sonic
CHRIS SEARLE translates the fusion of four jazz maestros into a mental image of Hackney Carnival
oto 2
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Seymour Wright, Steve Noble, Pat Thomas and John Edwards
Cafe Oto, Hackney, London
JUST outside Cafe Oto, along Dalston Lane, is the huge and marvellous mural of a Hackney Carnival; all musicians soaring, all people dancing, all colours coalescing.
So I was hearing music in my head as I passed the momentous image, preparing me for the sounds I was to hear inside the Cafe Oto’s old industrial walls.
It was Derby alto saxophonist Seymour Wright, Hounslow-born bassist John Edwards and drummer and pianist from the Thames Valley, Steve Noble and Pat Thomas; all in powerful creative fettle.
More from this author
CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
CHRIS SEARLE speaks to Ghanaian trumpeter PETER SOMUAH
An unlikely venue hosts a memorable concert, and has future treats in store
CHRIS SEARLE speaks to British Nigerian/Jamaican pianist ROELLA OLORO