In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
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The struggle made sonic
CHRIS SEARLE translates the fusion of four jazz maestros into a mental image of Hackney Carnival
Pat Thomas, Steve Noble and Seymour Wright play Cafe Ito
[Courtesy of Pete Woodman] 
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
RON JACOBS rides shotgun with a member of Black Bloc on the wave of anti-capitalist protests of the 1990s and early 2000s
Seymour Wright, Steve Noble, Pat Thomas and John Edwards
Cafe Oto, Hackney, London
JUST outside Cafe Oto, along Dalston Lane, is the huge and marvellous mural of a Hackney Carnival; all musicians soaring, all people dancing, all colours coalescing.
So I was hearing music in my head as I passed the momentous image, preparing me for the sounds I was to hear inside the Cafe Oto’s old industrial walls.
It was Derby alto saxophonist Seymour Wright, Hounslow-born bassist John Edwards and drummer and pianist from the Thames Valley, Steve Noble and Pat Thomas; all in powerful creative fettle.
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CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
