IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Universal jazz kitchen
CHRIS SEARLE samples the Kris Davis Trio at the Vortex and recommends highlights from the forthcoming programme
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High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
Kris Davis trio
The Vortex, Dalston, London
OUTSIDE, Gillett Square was Saturday night Dalston-buzzing, and the cooking smells of Ethiopia, Nigeria, Mexico and Thailand were blowing like a universal kitchen all the way up Kingsland Road.
Here for one night were the Kris Davis Trio, with pianist Davis from Calgary, Alberta; Detroit bassist Robert Hurst and Philly drummer Johnathan Blake.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
