ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
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CHRIS SEARLE samples the Kris Davis Trio at the Vortex and recommends highlights from the forthcoming programme
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
Kris Davis trio
The Vortex, Dalston, London
OUTSIDE, Gillett Square was Saturday night Dalston-buzzing, and the cooking smells of Ethiopia, Nigeria, Mexico and Thailand were blowing like a universal kitchen all the way up Kingsland Road.
Here for one night were the Kris Davis Trio, with pianist Davis from Calgary, Alberta; Detroit bassist Robert Hurst and Philly drummer Johnathan Blake.
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