New releases from Public Image Ltd, William Basinski, and John Luther Adams
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Alice in Undergroundland
PETER MASON suspends his disbelief and disappears down a rabbit hole on the London Tube
VORPAL BLADE: Tatenda Matsvai as Alice
[Helen Murray]
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Alice in Wonderland
Brixton House, London
AFTER a modern-day Alice argues with her mum at Brixton underground station, the two are separated when she jumps on a train just as the doors are closing.
Unrepentant at first, Alice soon changes her tune as she finds out she’s not on a real journey but in a jangly Tube dreamland, where a host of strange figures are trapped on a never-ending trip to nowhere.
Similar stories
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s
MARIA DUARTE is gripped by a tense drama set almost entirely in a car as distressed parents try to rescue their wayward daughter