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Going over children’s heads
DAVID NICHOLSON is disappointed by a show that fails to engage its target audience
Mari Fflur as the Wolf and Grace O’Brien in the title role
SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
The bard gives us advance notice of his upcoming medieval K-pop releases
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
Little Red Riding Hood
Sherman Theatre, Cardiff
PUTTING on a Christmas production for 3-6-year-olds is a tough proposition especially when the story is iconic. But Cardiff’s Sherman Theatre has attempted it with director Alice Eklund’s Little Red Riding Hood production.
What is slightly hair-raising for the adults attending is leaving the little ones on mats set out on the floor with the grown-ups sitting behind them on chairs.
It works brilliantly with older children but as anybody who has tried to look after toddlers knows unless the performances are absolutely enthralling a certain amount of chasing around after bored children will ensue.
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