PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
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Best of 2024 contemporary classical and electronica with Simon Duff
Concert of the Year? No doubt, Pat Metheny at the Barbican in late November...
Pat Metheny Orchestrion
[Dennis AB/CC]
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
ANDY HEDGECOCK and MARIA DUARTE review The Thing with Feathers, Train Dreams, Sisu: Road to Revenge, and Wicked: For Good
GUILLERMO THOMAS welcomes a biography of WA Domingo, a key figure in the anti-colonial struggle in the Caribbean
BRENT CUTLER is intrigued by the imperialist, supremacist and contradictory history of a word that is used all too easily
IN a year of war and political upheaval, it’s a pity these tectonic shifts are not moving the musical dial in sufficient quantity.
The huge advances in immersive audio technology and the success of platforms such as Dolby Atmos should also be producing much more incisive movements. On the flip side, a strong year for contemporary spiritual and new ambient.
A notable release from ECM came in the form of a new recording of Arvo Part’s Tractus. Recorded by the Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra, the title refers to a series of theological writings by the English cardinal and saint John Henry Newman called Tracts for the Times (1843).
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SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins