DENNIS BROE observes how cutbacks, mergers and AI create content detached from both reality and history itself
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Class War as Culture War
ALISTAIR FINDLAY welcomes a collection of essays from one of the cultural left’s most respected speakers and activists
IMPROVE THE BLANK PAGE: Installation by Nicanor Parra at the Centro Cultural Palacio La Moneda, Santiago, in 2007: "In case of resurrection do turn anticlockwise, this coffin is automatic."
[Carlos Varela/flickr/CC]
SAHAR MARANLOU explores a novella, newly translated and republished in English that tells the history of Iran through women’s bodies
DAVID NICHOLSON applauds the revival of a joyous production that deals with choirs, competitions and communism
New releases from Peruvian Ranil y Su Conjunto Tropical, Leve Leve: Sao Tome & Principe, and South African BCUC
MARY DAVIS welcomes a remarkable documentary about the general strike — politically spot on, and featuring accounts from the strikers themselves — that is available for screenings
MICHAL BONCZA and MARIA DUARTE review The Stranger, Undertone, and Outcome
The Privatisation of Poetry,
Andy Croft, Broken Sleep Books, £13.99
IN this book Andy Croft brings together 21 essays and reviews first published in the Morning Star and a wide range of literary and online magazines between 1994-2024, including the New Statesman, London Magazine, PN Review, Scratch and Thumbscrew — several at the heart of the “art” poetry establishment he criticises.
Collectively these pieces underscore the theme articulated by his friend and collaborator, the legendary popular performance poet Adrian Mitchell: “Most people ignore poetry because most poetry ignores most people.”
With Croft, Mitchell co-edited the ground-breaking left movement anthology Red Sky At Night, 2003, which reached back to Blake and the Chartists and forward to the contemporary, and which included Poet Laureates and Scottish Makars writing art poetry, certainly, but from the left.
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