The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Album reviews with Kevin Bryan: February 3, 2025
New releases from Loudon Wainwright III, Flamin’ Groovies, and Wishbone Ash
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JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Loudon Wainwright III
Loudon Live in London
(The Last Music Company)
★★★
LOUDON WAINWRIGHT has been a highly regarded figure in singer-songwriter circles ever since his stunning debut album first saw the light of day in 1970.
The British music press were engaged in a fairly futile quest to discover “the new Bob Dylan” at the time and Wainwright was a prime contender for this accolade, blessed with a sardonic wit which set him apart from many of his contemporaries in the field.
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