STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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How to rehearse the revolution
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
REHEARSING THE REVOLUTION: Brazilian theater director and writer Augusto Boal presenting his Theatre of the Oppressed at Riverside Church in New York City, 2008
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
WHAT IF every citizen could have a say in how the issues that affect their lives and communities were dealt with? Or could input into policy and even law-making? Legislative theatre is a form of community-based theatre that gives participants an opportunity to actively explore, analyse and transform their lives through drama and roleplay.
Legislative theatre brings together citizens and policy-makers in a creative constructive dialogue about issues and policies that affect local communities. The idea is to engage citizens in identifying solutions to social and political problems, and then help translate them into new laws.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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