The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Sympathy for the devils
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
Cat On A Hot Tin Roof
Almeida Theatre
TENNESSEE Williams’s favourite play is a masterpiece of richly drawn characters, open to seemingly endless interpretation.
Set on a cotton plantation in the Deep South, the original 1955 production had a white cast performing as the family of wealthy landowners with black actors playing servants.
Since then productions have featured an all-black cast and those set in the modern era complete with mobile phones and iPads.
More from this author
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
WILL STONE overlooks the corn to find the beauty in the music of the Danish indie-pop oddities
WILL STONE savours an utterly unique voice in electronic music
Similar stories
MARY CONWAY relishes the revival of two classics for the naked expression of truthful thoughts and class anger
MARY CONWAY evaluates a polemical play whose actors, rather than the writer, introduce the humanity and the light and shade
SIMON PARSONS marvels at a production of Williams’s early masterpiece that transforms the play into a symbolic slow dance of tensions, fears and desires
MARIA DUARTE salutes a new biopic of Bob Marley, but is this the ghetto kid who dreamed of Che Guevara and the Black Panthers?