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RICHARD CLARKE recommends a hugely valuable text for those seeking theoretical analysis and practical action to defend public services
The mother, the daughter, her lover and their poet
The mother, the daughter, her lover and their poet
SIMON PARSONS marvels at a production of Williams’s early masterpiece that transforms the play into a symbolic slow dance of tensions, fears and desires
JOHN HAWKINS is moved by an oral history that examines five black families pushed into homelessness in the US
BOB NEWLAND recommends an outstanding study of how images have shaped narratives of identity, resistance and power in South Africa
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
The Star's critics review The Sinking Of The Lisbon Maru, Two Strangers Trying Not To Kill Each Other, American Dreamer, When Autumn Falls, and Flow
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The Glass Menagerie
Bristol Old Vic
STRIPPED of all the 1930s scenic clutter, most naturalistic productions of Tennessee Williams’s first successful play usually embrace, Atri Banarjee’s dynamically rejuvenated version takes the opening monologue as its lodestone — “a memory play” that is “not realistic” and where “everything happens to music.”
Rosanna Vize’s bare, tilted, dance floor-like stage with central column and illuminated, rotating PARADISE sign above allows movement director, Anthony Missen to turn the play into a symbolic slow dance, emphasising the tensions, fears and desires of the characters locked in their own claustrophobic worlds.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale
SIMON PARSONS applauds a moving version of Ishiguro’s vision of a world in which science and ethics have diverged
SIMON PARSONS applauds a new drama that pays tribute to the hundreds of women who volunteered to develop IVF