The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
The tears of a clone
SIMON PARSONS applauds a moving version of Ishiguro’s vision of a world in which science and ethics have diverged
Never Let Me Go
Bristol Old Vic
SUZANNE HEATHCOTE’S stage adaptation of Kazuo Ishiguro’s highly acclaimed 2005 novel is an assured and theatrically satisfying production.
The dystopian elements of an alternative England that has embraced human cloning are merely the framework on which to hang an elegiac story of friendship and innocent childhood memories recalled from the perspective of an adult world of sacrifice.
Nell Barlow’s effectively restrained and intelligent performance as the narrator Kathy provides a poignant yet non-judgmental commentary on her seemingly idyllic, rural boarding school days as she tries to come to terms with the fate destined for her and her classmates who were once made to feel so special.
More from this author
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
Similar stories
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale
SIMON PARSONS applauds a new drama that pays tribute to the hundreds of women who volunteered to develop IVF
SIMON PARSONS marvels at a production of Williams’s early masterpiece that transforms the play into a symbolic slow dance of tensions, fears and desires
GORDON PARSONS highly recommends a delightful production of the classic novel that emanates a sense of warmth and love