JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
Brain rave
WILL STONE savours an utterly unique voice in electronic music
Hopkins in 2022 at Sentrum Scene, Oslo.
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critic MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
Jon Hopkins
The Corn Exchange, Brighton
TECHNO is more commonly associated with four on the floor beats (repetitive to the unconverted), high decibel levels (thoughtfully, free earplugs are available at the venue) and crowds pumping their fists in the air. It is not generally considered capable of evoking a transcendental state...unless you’re listening to Jon Hopkins.
An utterly unique voice in electronic music, Hopkins is a classically trained composer who takes inspiration from the spiritual and meditative — he himself practices transcendental meditation, influences of which can be found in his works.
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