MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Album reviews with Simon Duff: November 11, 2024
New releases from Propaganda, David Gilmour and Jon Hopkins
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Propaganda
Propaganda
(Bureau B)
★★★★★
GERMAN electronic pioneers Propaganda’s music first emerged in the mid-1980s. An eclectic fusion of Wagner, Abba, Simple Minds and Prince. Epic chord progressions, melodic intensity and driven production ideals. Those ideals remain firmly in tact on the new album. Founding members Michael Mertens and Ralf Dorper are joined by vocalist Thunder Bae.
Album opener They Call Me Nocebo is imbued with the nocturnal mood of vintage Propaganda but expresses itself within the context of modern dance and new electronic sounds. Purveyor of Pleasure continues that feel, full of intense rhythms, and pulsating Moog bass. The standout track is Tipping Point, https://www.youtube.com/watch?v=RXRHGS3A3cw, a high-octane delight taking on issues of climate crisis and the rise of the far right in Europe.
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