JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
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Album reviews with Simon Duff: November 11, 2024
New releases from Propaganda, David Gilmour and Jon Hopkins
NADIA JOSEPH welcomes a survey of the role that TV played in the debate over apartheid and race relations in Britain
New releases from Rosa Walton, Paul McCartney, and Aidan Thorne & Jason Ball
RON JACOBS welcomes a sharp, intelligent and witty exposé of the corruption and right-wing politics that have taken over international professional football
ALEX HALL welcomes the memoir of a prominent British academic of Ugandan/Zimbabwean heritage
JONATHAN TAYLOR reviews a collection of short stories wherein news - and the absence of news - changes lives
Propaganda
Propaganda
(Bureau B)
★★★★★
GERMAN electronic pioneers Propaganda’s music first emerged in the mid-1980s. An eclectic fusion of Wagner, Abba, Simple Minds and Prince. Epic chord progressions, melodic intensity and driven production ideals. Those ideals remain firmly in tact on the new album. Founding members Michael Mertens and Ralf Dorper are joined by vocalist Thunder Bae.
Album opener They Call Me Nocebo is imbued with the nocturnal mood of vintage Propaganda but expresses itself within the context of modern dance and new electronic sounds. Purveyor of Pleasure continues that feel, full of intense rhythms, and pulsating Moog bass. The standout track is Tipping Point, https://www.youtube.com/watch?v=RXRHGS3A3cw, a high-octane delight taking on issues of climate crisis and the rise of the far right in Europe.
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