Skip to main content
Culture
venice ff
Venice Film Festival 2026 / 8 September 2026
8 September 2026

RITA DI SANTO contemplates two films about journalism that opened this year’s festival

Boix
Book Reviews / 8 September 2026
8 September 2026

Memory, inheritance and resistance: a compelling Brazilian memoir, Argentinian short stories about the Japanese diaspora, and the Chilean skies of childhood, with LEO BOIX

the story
Theatre Review / 8 September 2026
8 September 2026

MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender

lear
Theatre Review / 8 September 2026
8 September 2026

GEOFF BOTTOMS applauds a world-class production King Lear that pits late feudalism against a rising bourgeoisie

IS
Music / 7 September 2026
7 September 2026

New releases from Brian Fallon, Antony Szmierek and Hollow Hand

12 angry
Theatre Review / 4 September 2026
4 September 2026

PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries

artwashing
Opinion / 4 September 2026
4 September 2026

APURBA CHATTERJEE explains how British artists in India used the “picturesque” to reshape colonial landscapes and celebrate imperial power

Wobbler
Theatre Review / 4 September 2026
4 September 2026

SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago

she's green
Music Review / 4 September 2026
4 September 2026

JAMES NALTON feels history in the making, witnessing the latest shoegaze sensation in an intimate club

round up
Cinema / 3 September 2026
3 September 2026

ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass

fotw
Film of the Week / 3 September 2026
3 September 2026

ANGUS REID recommends a uniquely accomplished documentary collage that contemplates our relation to the natural world

kant
Book Review / 3 September 2026
3 September 2026

GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience