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EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Exhibition: The Young Durer: Drawing The Figure
A new show of a great artist of the Renaissance is inspirational, says MICHAL BONCZA
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
The Young Durer: Drawing The Figure
The Courtauld Gallery, London WC2
5 Stars
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SIMON DUFF is thrilled by a visceral, no-holds-barred exploration of the expressive powers of raw material
KIM CULLEN enjoys the survey of social work and working-class lives to be found in the superb work of British-Jamaican photographer Sandra George
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
Gin Lane by William Hogarth is a critique of 18th-century London’s growing funeral trade, posits DAN O’BRIEN