MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
THERE’S a growing interest in “slow television” which can be traced back to Andy Warhol’s 1963 conceptual film Sleep and, as an adjunct to this, Gillie Kleiman is seemingly exploring slow choreography with Recreation.
The one-hour show, an invitation to consider work and relaxation and to “blur the distinction between being active and being receptive,” sets out to achieve the latter by making the audience performers and vice versa by introducing two invited dancers onstage to join the core cast of three.
As a concept, it has tantalising potential but this experimental production fails to realise it on almost every level.
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston



