MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
Studies for a Shield after Battle
Patriothall Gallery
Edinburgh
CHARLOTTE CULLEN makes work from steel and aluminium. It has sharp corners, torn edges and a bleak industrial monochrome and the rough surfaces on her assembly Studies for a Shield after Battle bear the traces of assault.
From the metal plates she makes prints — when pressed into paper, the identity of the battle reveals itself and at the centre of the show are two sequences of three small prints, each whispering the sources of her work.
Marrow I, II and III are like the random messages scratched into a school desk or a battered bus stop. It is not the content of the words that speak, so much as the invocation of a conflicted adolescence.
SIMON DUFF is thrilled by a visceral, no-holds-barred exploration of the expressive powers of raw material
KIM CULLEN enjoys the survey of social work and working-class lives to be found in the superb work of British-Jamaican photographer Sandra George
ANGUS REID, FIONA O’CONNOR, JAMES WALSH and MARIA DUARTE review Wham! 10 Days in China, Lesvia, Di’Anno: Iron Maiden’s Lost Singer, Spider-Man: Brand New Day, and The Fires
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis



