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The Cuban star Carlos Acosta uses his celebrity to showcase the choreography of others in an egalitarian spirit, judges MATTHEW HAWKINS
Carlos Acosta [Nauris Buksevics]

REVEALINGLY, Carlos Acosta writes that On before is “one of the most important shows” he has created and danced. 

Explicitly in this case, Carlos Acosta has used this revived version of On Before (premiered last week at Edinburgh’s Festival Theatre, prior to UK touring) to present some new-generation performers and choreographers from his Havana-based troupe Acosta Danza. 

The exposure is especially viable given Acosta’s physical manifestation, and the inclusion of choreographic works by established makers and a well-planned tour of large proscenium theatres, backed by the producing forces of Norwich Theatre. It is a vital feat to be able to offer opportunities amid such established renown. The live artwork gets to assume a powerful frame. 

Carlos Acosta with his mother (Courtesy of Carlos Acosta)
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