MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
Antigone (On Strike)
Park Theatre
THIS modern, imaginative reworking of the Greek tragedy involves a British-born, Isis child bride and her sister’s desperate campaign to stop her being stripped of her citizenship and denied her time in court. The parallels to Shamima Begum’s desperate plight, still detained in a Syrian camp along with 18 other British women, are obvious.
The production centres on the political machinations of the British Conservative government in promoting this policy, while remaining true to the nature of classical Greek theatre by making the audience active participants in the process.
Set within an interactive media studio, we are asked to vote electronically on various questions relating to the issue. Our responses, in between being bombarded with reportage interwoven with political sound bites and the manoeuvrings of an ambitious home secretary, are set against the embattled reflections of the sister at the heart of the campaign.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class



