EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Geoffrey Chaucer: Unveiling the Merry Bard
Mary Flannery, Reaktion Books, £16.99
GIVEN that even with the enormous modern research into Shakespeare’s life there is still a paucity of detailed knowledge, Mary Flannery is courageous in taking on a biography of the other icon of English literature, Geoffrey Chaucer, of whose personal life even less is known.
She does have the advantage, however, that medieval records provide revealing evidence of the latter whose active public life as civil servant, diplomat and MP was spent on the fringes of administrative and political power during the tumultuous later years of the 14th century.
When she comes to what kind of man Chaucer was, her descriptions are necessarily very largely based on suppositions. Her account is prefaced regularly with phrases such as ”it is unclear,” “it may have been,” and “it seems problematic.” Even a description of the construction of a new Custom House including a latrine which, it is “conjectured” Chaucer, customs comptroller (sic) for the Port of London, may have used.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson



