MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
Kaash
Sadler’s Wells, London EC1
4/5
KAASH — “if only” in Hindi — is a revival of Akram Khan’s dance piece created some 14 years ago with composer Nitin Sawhney and sculptor Anish Kapoor.
A marriage of contemporary dance and kathak, whose origins lie in the north India of antiquity, it’s a work inspired by “Hindu Gods, black holes, Indian time cycles, tablas, creation and destruction.”
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
SIMON DUFF is thrilled by a visceral, no-holds-barred exploration of the expressive powers of raw material
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston



