EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
High-Rise (15)
Directed by Ben Wheatley
3/5
WITH Nicolas Roeg as director in mind, producer Jeremy Thomas bought the screen rights to JG Ballard’s extraordinary dystopian novel in 1975.
Some 40 years later, funded by Channel 4 and the BFI, High-Rise finally emerges, lamentably without Roeg at the helm.
Angus Reid speaks to JAZZ BHALLA about the genesis of his superb feature debut, Never Had A Chance, in cinemas this weekend
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!



