JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
Blue Heart
Orange Tree Theatre, Richmond
4/5
IF EXHILARATING, anarchic and unsettling sound like your idea of a good 90 minutes of theatre, the double bill Blue Heart by Caryl Churchill will hit the spot.
The mounting comedy in both pieces — a co-production between the Orange Tree and the Tobacco Factory theatres — is the perfect accompaniment to the fragmented dramas which unfold.
EWAN CAMERON witnesses a political farce that lacks a clear message
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



