PETER MASON applauds a thought-provoking study of the relationship between a grieving woman and her photographer

PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book

PETER MASON reckons the NYT’s production of Shakespeare’s comedy is the pick of the Christmas shows on offer in London 

PETER MASON shivers in the under-heated ecclesiastical setting of a concert featuring five 19th-century French composers 

PETER MASON applauds a classic drama exploring assimilation and resistance among poor black inhabitants of a Chigago slum

PETER MASON is disappointed by a clunky comedy that falls flat

PETER MASON is enchanted by a unique take on the Oscar Wilde favourite delivered through the ancient form of marionettes

PETER MASON is unimpressed by an unsubtle production that disregards its woodland setting

PETER MASON writes about the exhilarating race which kicks off in France this weekend, and the British drivers competing across three categories

PETER MASON applauds a pitch-perfect production of the late Brian Friel’s compelling study of gullability and disillusion

PETER MASON is unimpressed by a two-act Elizabethan version of Crossroads

PETER MASON's overwhelming disappointment is ameliorated by a sumptuous stage settings

PETER MASON submerges into East End nostalgia, and would do it again

PETER MASON applauds a razor-sharp comedy of manners

Two of Morning Star’s theatre critics take distinct views of the musical that charts the life of one of the world’s greatest and best loved freedom fighters

PETER MASON recommends a production that never drags, never dips in intensity nor wanes in entertainment value

PETER MASON is captivated by snapshots that build up a strong feel of what it was like to live and work in those now far-off times, when strong unionisation and an enlightened attitude from LT nurtured camaraderie

PETER MASON recommends the satisfying to see, full-scale appreciation of one of the great wonders of the world