RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Missing the Kew
PETER MASON is unimpressed by an unsubtle production that disregards its woodland setting
dream
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
A Midsummer Night's Dream
Theatre on Kew, Kew gardens, London
LOVELY setting, less lovely production.
With stepladder platforms on stage and maintenance trucks as props, not nearly enough is made of the verdant surrounds of Kew Gardens, and even less of its evening-time botanical atmosphere, which should perfectly suit this fairyland comedy.
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