GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Missing the Kew
PETER MASON is unimpressed by an unsubtle production that disregards its woodland setting
KEW JUMPING: Fairies in Theatre on Kew's production of Midsummer Night's Dream
[Zac Cooke]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
A Midsummer Night's Dream
Theatre on Kew, Kew gardens, London
LOVELY setting, less lovely production.
With stepladder platforms on stage and maintenance trucks as props, not nearly enough is made of the verdant surrounds of Kew Gardens, and even less of its evening-time botanical atmosphere, which should perfectly suit this fairyland comedy.
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