The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Students out to make their mark
BEN LUNN reviews an afternoon with the champion of Scotland’s composers
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Red Note Ensemble
Fridays at One
Royal Conservatoire of Scotland
A CHOCK-A-BLOCK concert hall, new premieres, and work by a 20th-century master is instantly a recipe for an interesting afternoon – however, like many recipes with the right chef and ingredients, make for a fantastic concert.
Red Note Ensemble, have been a solid champion of Scotland’s composers, managing to make space for growing talents and bigger giants in equal measure, and this concert was a good demonstration of this. The three premieres were by student composers within the Royal Conservatoire of Scotland – Kate Sagovsky, Kassia Bailey, and Kaiwen Liu.
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