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SIMON PARSONS recommends a spellbinding production of Life and Fate, set at the height of WWII in Soviet Russia
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GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
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CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Life and Fate
Theatre Royal Haymarket, London
VASILY GROSSMAN’S magnificent epic novel Life and Fate, performed by a renowned Russian theatre company and directed by the celebrated Lev Dodin, has all the potential for a memorable production.
But expectations are also accompanied by natural doubts. How can the settings and scale of this 700-page novel, performed in Russian by Maly Drama Theatre with surtitles and lasting three-and-a-half hours, capture the power and profundity of the novel?
Premiered in Paris in 2007, Dodin devised the production with actors from the company and the depth of feeling is evident throughout the performance.
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