SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
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An error occurred while searching, try again later.Remember Ghassan Kanafani
CARLOS MARTINEZ welcomes the publication of the writings of the great Palestinian author, political theorist and spokesman for the PFLP
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
JAN WOOLF wallows in the historical mulch of post WW2 West Germany, and the resistant, challenging sense made of it by Anselm Kiefer
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
The Star's critic MARIA DUARTE review Cottontail, Memoir of a Snail, Bridget Jones: Mad About the Boy, and Captain America: Brave New World
Ghassan Kanafani — Selected Political Writings
Ghassan Kanafani, Pluto Press, £18.99
THIS new volume from Pluto Press, edited by Louis Brehony and Tahrir Hamdi, brings together some of the most important essays, manifestos and journalistic reports by the revered Palestinian writer and activist Ghassan Kanafani.
Kanafani is best known for his literary works, all of which are deeply imbued with the spirit of anti-colonial resistance. His novels, short stories and essays, such as Men in the Sun (1962) and Returning to Haifa (1969), vividly depict the experiences of exile, dispossession and resilience, giving voice to the Palestinian collective memory.
Rashid Khalidi, in The Hundred Years’ War on Palestine observes that: “Among the literary figures whose ideas and images played a major role in the revival of Palestinian identity, Kanafani was perhaps the most prominent prose writer and the most widely translated.”
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes