New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
How should a working class playwright be celebrated?
LEWIS FROST reports from an event to commemorate the late Edward Bond
JAN WOOLF wallows in the historical mulch of post WW2 West Germany, and the resistant, challenging sense made of it by Anselm Kiefer
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
CARLOS MARTINEZ welcomes the publication of the writings of the great Palestinian author, political theorist and spokesman for the PFLP
The Star's critic MARIA DUARTE review Cottontail, Memoir of a Snail, Bridget Jones: Mad About the Boy, and Captain America: Brave New World
PAUL DONOVAN is fascinated by an account of the long history of Catholic Church’s involvement in espionage
ROGER McKENZIE welcomes an important contribution to the history of Africa, telling the story in its own right rather than in relation to Europeans
A MEMORIAL for playwright Edward Bond took place at Park Theatre, Finsbury Park, on Sunday August 11. The aim was to create an act or action to commemorate the life of Edward Bond.
It was organised by Sam Fairbrother and Dex of the “Commission for New and Old Art” because nothing so far had been organised to commemorate the life of one of the country’s great playwrights.
Many of the attendees had some experience of acting or staging Bond’s work, but none of theatre’s grandees or the more recent writers inspired by Bond were present. Not that that was a surprise, as Bond’s biographer Tony Coult (one of the few who maintained a working relationship with Bond throughout his life) explained.
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