JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
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How to rehearse the revolution
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
REHEARSING THE REVOLUTION: Brazilian theater director and writer Augusto Boal presenting his Theatre of the Oppressed at Riverside Church in New York City, 2008
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
WHAT IF every citizen could have a say in how the issues that affect their lives and communities were dealt with? Or could input into policy and even law-making? Legislative theatre is a form of community-based theatre that gives participants an opportunity to actively explore, analyse and transform their lives through drama and roleplay.
Legislative theatre brings together citizens and policy-makers in a creative constructive dialogue about issues and policies that affect local communities. The idea is to engage citizens in identifying solutions to social and political problems, and then help translate them into new laws.
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