ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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The disillusion of an upper-class Caliban
GORDON PARSONS negotiates an exhaustive biography of WH Auden that explores his growing detachment from England
THE TINTIN OF HIS ERA? WH Auden (R) and novelist Christopher Isherwood pictured at Victoria Station, 1938, en route to China. Attempting to combine reportage and art, they spent six months in 1938 visiting China amid the Sino-Japanese War, working on their book Journey to a War (1939), and subsequently emigrated to the US
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
The Island: WH Auden and the Last of Englishness
Nicholas Jenkins, Faber, £25
THE NEW YORK TIMES obituary of Wystan Hugh Auden in 1976 noted that “he was often called the greatest living poet of the English language.”
In one of his essays he claimed that “the only method of attacking or defending a poet is to quote him. Other kinds of criticism, whether strictly literary, or psychological or social, serve only to sharpen our appreciation or abhorrence by making us intellectually conscious of what was previously but vaguely felt.”
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