RITA DI SANTO assesses the winners of the most politically charged festival to date
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The Canadian Inuit plight is given a stage with a powerful advocacy
KATARZYNA KOSMALA introduces a retrospective by one of the most significant figures in contemporary US photography
MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
New releases from Sam Carter, Spell Songs and Les Thomas
Kiinalik: These Sharp Tools
The Studio, Edinburgh
★★★★
BUDDIES in Bad Times Theatre Company claims to be Toronto’s leading destination for artistic and alternative theatre and a world leader in developing queer voices. Certainly singer-songwriter Evalyn Parry, and Inuit artist and performer Laakkuluk Williamson Bathory, bring something different to the Edinburgh Festival.
Their show rather than drama — although it is quite dramatic enough — is a mixture of convivial but instructive conversation, story and songs relating to the lives of these two Canadians from separate worlds, and explosive anger directed at the audience designed to illustrate the strangling colonial oppression of Bathory’s Inuit people, especially their women
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