The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Dream makeover
GORDON PARSONS relishes a production in which Shakespeare’s language gives way to frenetic action and impressively colourful visual effects
A Midsummer Night’s Dream
The Royal Shakespeare Theatre
Stratford-upon-Avon
THE FAMOUS 17th century diarist and avid playgoer, Samuel Pepys, thought A Midsummer Night’s Dream the most ridiculous play he had ever seen.
And, indeed, on the plot level — ancient Athenians mixed with fairy magic and a determined group of working-class tradesmens’ comic attempts to put on a play within the play — the dream is the bard’s silliest work.
More discerning critics have recognised a much richer play, exploring, among other themes, the illusory psychology of love.
More from this author
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
Similar stories
SIMON PARSONS questions whether a dark take on Shakespeare’s Seasonal comedy is in harmony with the original text
GORDON PARSONS applauds a production which turns a Jacobean obscurity into a dreamlike journey
GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight
Transmorphed into a romp in the Caribbean, the play effortlessly wins over the audience, writes GORDON PARSONS