ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Dodgy cartoon Marx
ANGUS REID mulls over the bizarre rationale behind the desire to set the life of Karl Marx to music
COMICSTRIP OPERA: Roland Wood as Karl Marx in Jonathan Dove's Marx in London!
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
Marx in London!
Theatre Royal, Glasgow
JONATHAN DOVE’s operetta Marx in London! covers more or less the same ground as Howard Zinn’s 1999 play Marx in Soho, compressing into a single day in 1871 a heady mix of domestic trials (infidelities, repossessions and extra-marital children), eminent figures (Engels, Eleanor Marx and the anarchist Bakunin for Zinn, the fictional socialist Melanzone for Dove) and political events (the 1871 Paris Commune).
But if Zinn’s one-man show is an exhilarating defence of socialism by a committed activist and aimed at the present day, so Dove’s is a farce that fixes the attention of the audience on its own cleverness, that shuns politics, and aims at an imaginary moment in the past that acknowledges Marx as memorable, but antiquated.
On one hand, Marx is as much fair game for a debunking as any other eminent Victorian: he is instantly recognisable, he drank, smoked and lived beyond his means, and after all, Philip Glass did Einstein, and John Adams did Nixon and Mao, as operas.
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