EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
The Caretaker
Touring
HAROLD PINTER refused to accept any categorisation of the dramatic style that dominates his plays and it is questionable if he would fully recognise this production of The Caretaker by the Bristol Old Vic and Royal & Derngate Northampton.
This, though, is not a criticism but an acknowledgement of the originality of Christopher Hayden's all-black, updated production.
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective



