APURBA CHATTERJEE explains how British artists in India used the “picturesque” to reshape colonial landscapes and celebrate imperial power
DANCED with verve and passion, classical ballet’s emotive power is joined with the joyous vivacity of popular dance to convey the ambiance of South Africa’s township life in this marvellous double bill from Ballet Black.
It starts with The Suit, based on the famous story by Can Themba and set in Sophiatown, where Philemon (Jose Alves) takes cruel revenge on his seemingly loving and attentive wife Matilda (Sayaka Ichikawa) when he catches her in flagrante.
She must constantly treat her lover’s discarded suit as their honoured guest and, relentlessly humiliated by the suit’s presence in their domestic and social life and distraught by Philemon’s stubborn rebuttals of her entreaties for forgiveness, she hangs herself.
MATTHEW HAWKINS witnesses a contemporary ballet that represents human life as subjected to artificial intelligence
MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over



