The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Shipping out
MIKE QUILLE recommends an exhibition of Chris Killip’s stunning images of shipbuilding on the Tyne and its ultimate demise
End of Shift. Given by the artist in honour of all the shipyard workers of Tyneside, 2017© Chris Killip
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
The Last Ships
Laing Art Gallery, Newcastle-upon-Tyne
THE LAST Ships exhibition of photographs taken by Chris Killip over just three years captures the awe-inspiring scale and beauty of the shipbuilding industry on Tyneside in the 1970s.
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