MARIA DUARTE and JOHN GREEN review Michael, The North, Exit 8, Rose of Nevada
Actually
Trafalgar Studios
ANNA ZIEGLER’S topical two-hander, employing a series of interwoven monologues, revolves around Princeton freshmen students and an accusation of rape brought before a university panel.
Yasmin Page’s insecure yet effervescent Jewish undergraduate, Amber, with a brief unsatisfactory sexual history, tries to overcome her awkwardness and fit in during the drink-fuelled weeks of the fresher’s party world.
Simon Manyonda’s sexually confident Tom, a black student from a low-achieving family, is also trying to come to terms with his strange, new reality in the extended, alcoholic induction to college life.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic



