Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
NARRATED by ST, a foul-mouthed, snack-obsessed crow who identifies as human, Hollow Kingdom by Kira Jane Buxton (Headline Review, £18-99) takes place in Seattle where a mysterious illness is causing hideous transformations in homo sapiens.
Now robbed of his owner-cum-housemate, and thus in sole charge of a daft dog, ST bravely ventures out in search of still-functioning people. He finds a world which is rapidly erasing all traces of its former masters, as the rest of nature takes over.
If he’s to be of any use to his beloved city, ST must combine his human and crow natures to find his true self.
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
Timeloop murder, trad family MomBomb, Sicilian crime pages and Craven praise


