WILL STONE samples the 20th anniversary atmosphere of this eclectic end-of-season indie festival
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Science fiction by Mat Coward: August 7, 2019
Hollow Kingdom by Kira Jane Buxton, The Girl In Red by Christina Henry, The Bone by Garden Heather Kassner and The Record Keeper by Agnes Gomillion
[Karen Nadine/Creative Commons]
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
The bard serenades the Diggers of Wigan and their festive followers
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE recommends a nerve-wracking reconstruction of the 72 hours before the Normandy landings
NARRATED by ST, a foul-mouthed, snack-obsessed crow who identifies as human, Hollow Kingdom by Kira Jane Buxton (Headline Review, £18-99) takes place in Seattle where a mysterious illness is causing hideous transformations in homo sapiens.
Now robbed of his owner-cum-housemate, and thus in sole charge of a daft dog, ST bravely ventures out in search of still-functioning people. He finds a world which is rapidly erasing all traces of its former masters, as the rest of nature takes over.
If he’s to be of any use to his beloved city, ST must combine his human and crow natures to find his true self.
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A misfit couple unhappily ever after, a dead man walking, dodgy journos, and trench art trucking
Monster profits on the Tube, paternal dilemmas for time travellers, and an alien abduction buddy saga
Conman conned in a twisty thriller, blind trust tested to the limit, cunning murder methods, and tip-top police procedural
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?