WILL STONE samples the 20th anniversary atmosphere of this eclectic end-of-season indie festival
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Sci-fi and fantasy with Mat Coward
The Devouring Gray by Christine Lynn Herman, The Plague Stones by James Brogden, No Way by SJ Morden and Fleet of Knives by Gareth L Powell
[Karen Nadine/Creative Commons]
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
The bard serenades the Diggers of Wigan and their festive followers
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE recommends a nerve-wracking reconstruction of the 72 hours before the Normandy landings
TEENAGER Violet moves with her mother from a city life to look after an ailing relative in a small town hidden in the woods of rural New York in The Devouring Gray by Christine Lynn Herman (Titan, £8.99), a debut novel and presumably the first in a series.
To Violet, Four Paths seems like the armpit of America, a dull and insular place cut off from the world. But, as it turns out, her mother's hometown is much worse than boring. It’s deadly.
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A misfit couple unhappily ever after, a dead man walking, dodgy journos, and trench art trucking
Monster profits on the Tube, paternal dilemmas for time travellers, and an alien abduction buddy saga
BEN CHACKO unpicks the significance of the discovery, in 2015, of ancient texts about Confucius. Was he simply a teacher, or a philosopher, statesman and saint?
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?