TONY BURKE plots the career of the legendary Senegalese band from Dakar nightclubs to Glastonbury
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Sci fi and fantasy
Reviews of The Cottingley Cuckoo by AJ Elwood, Artifact Space by Miles Cameron and The Caduca by Elaine Graham-Leigh
RITA DI SANTO contemplates two films about journalism that opened this year’s festival
GEOFF BOTTOMS applauds a world-class production King Lear that pits late feudalism against a rising bourgeoisie
MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
New releases from Brian Fallon, Antony Szmierek and Hollow Hand
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
ROSE, mourning her mother, uncertain about her marriage and resentful that her plans to escape small-town life have been frustrated by events, is working at a retirement home in The Cottingley Cuckoo by AJ Elwood (Titan, £8.99).
One of its residents is different to the others. Mrs Favell is rather grand, has all her wits about her and takes a not very kindly interest in Rose.
She shows her a letter supposedly written in 1921 to Arthur Conan Doyle by a man in Cottingley whose granddaughter has had an extraordinary and well-evidenced encounter with fairies. Rose is fascinated by the tale, though repelled by the old woman.
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