
AFTER a student reunion, ex-lovers Alex and Jason, played with vulnerable intensity by Claire Price and Bo Poraj, return to their old flat.
In Moi Tran’s spot-on set design, it’s now a spare space of packed-up boxes, dodgy standard lamps and ghastly red carpet.
Their prevaricating and elliptical dialogue has another “character” in tow — or rather undertow — Alex’s menopause. This disorientating state is fantastically well conveyed by Price, who wants to sleep with Jason, not just for old time’s sake but to make her feel real.

JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual

MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity

MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards
