MICHAL BONCZA and MARIA DUARTE review The Stranger, Undertone, and Outcome
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Radical Figures: Painting in the New Millennium, Whitechapel Gallery London
Striking images in eclectic exhibition
Tschabalala Self, Koco at the Bodega, 2017; Dana Schutz, Imagine You and Me, 2018
WILL STONE applauds the anniversary tour of Pills 'n' Thrills and Bellyaches by Madchester icons, Shaun and Bez
JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
A murderous convention of crime writers, a hymn to nursing, a monster hunt, and robber baron capitalism
MARY CONWAY is disappointed by a three-hander that broaches big themes, but doesn’t transcend dry academia
DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
WITH painting, like most art, the less said the better.
That possibly applies to the words of this exhibition's curator Lydia Yee. There is little evidence here that “these artists are challenging and expanding the canonical Western painting tradition,” whatever that may be.
The large paintings assembled in the spaciousness of the main galleries are what paintings have always been — a mix of the familiar and the unexpected, the intriguing and the not-so.
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This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF