DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
Approaching Empty
Kiln Theatre, London
THE DEARTH of northern voices, especially authentic working-class ones, on the London stage made the proposition of Ishy Din’s Approaching Empty an appealing one.
His third play, set in a Middlesbrough cab office, draws directly on his experiences as a taxi driver in the city and explores the post-industrial fortunes of middle-aged Asian men against the fitting backdrop of Margaret Thatcher's death in 2013.
It gets off to a lively start, with ruthless entrepreneur Raf (Nicholas Khan) trading blows with his best friend of 40 years and well-meaning assistant Mansha (Kammy Darweish) over the future of the business and the legacy of Thatcher.
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
MAYER WAKEFIELD laments the lack of audience interaction and social diversity in a musical drama set on London’s Underground



